A film blog for students of my classes at Santa Clara University. Use this blog to discuss the films we are studying, classic films, current releases or production issues you encounter while making your own films.
Tuesday, January 05, 2016
The Trinity - for Comm 130
What does Prof. Hoxter mean by the Trinity of screenwriting?
24 comments:
Anonymous
said...
The trinity refers to narrative economy, narrative excess, and show,don't tell. Narrative economy is the concept of not bogging your reader down. One must consider what is really the essential parts of the screenplay. Narrative excess on the other hand is elaborating and taking your time on the important facts. Show, don't tell is the idea that one doesn't have to flat out say everything, but rather use visuals to do the talking for you.
Hoxter's trinity refers to three key aspects of screenwriting. They include narrative economy, the idea that the writer should include only important, relevant details and nothing superfluous; narrative excess, concept that when there is a particularly important scene, the writer should take his time with it and include more details; and show, don't tell, which refers to the idea of using visuals to show the reader or viewer instead of explicitly stating the details.
The trinity of screenwriting refers to narrative economy, narrative excess, and show, don't tell. Narrative economy is just what it sounds like, being economical with a narrative and not providing too much excess or fluff. Narrative excess is the other side of things, ensuring that things are detailed enough to effectively drive the plot and explain important details. Finally, show, don't tell is where things do not need to be explicitly stated. Implicit dialogues, or even visual cues can indicate things instead of spelling them out.
The trinity of screenwriting involves three components: narrative economy, narrative excess and show. Narrative economy means that screenwriters should only include essential details that directly relate to the plot and not provide additional detail that distracts viewers away from the plot. On the other hand, narrative access means that screenwriters should take the time to describe and set an important scene. Show (don't tell) means that screenwriters should visually show the audience details relating to the plot rather than stating them.
As the name suggests, "The Trinity" refers to three things that are imperative when writing efficient, engaging scripts. Narrative Economy is the idea that you only need to write things that move the story along; don't overwhelm your audience with unnecessary information. Narrative Excess should be used sparingly (as not to contradict the narrative economy), and in scenes that are crucial to the plot; the idea is to keep the story moving, but also know when to let an important moment play out and not run through it. And finally, Show, Don't Tell coincides with Narrative Economy in that it reminds you to use the medium to its full potential. Films can show an audience things that could take paragraphs to explain, so instead of having characters announce their emotions or motivations, have them show us.
The Trinity is made up of three stylistic tools that should be used to convey a story regardless of any other stylistic decisions that will be made. Narrative economy is the removal of superfluous and excessive details. Narrative excess, the increased attention to detail on a small number of key points in the story. Show, don't tell, the use of visuals rather than dialogue or narration to depict events. The three combined are designed to focus attention on important material and keep the audience interested in the rather than overwhelmed by a verbal play by play only fit for a sportscaster.
The three factors that make up "The Trinity" are narrative economy, narrative excess, and show don't tell. Narrative economy means only including on the necessary details that will help move the story forward. Narrative excess means to take the time with the important juicy details of the story. Lastly, show, don't tell means to use visuals rather than stating the emotions that one is feeling. By keeping these three things in mind while writing scripts, it makes it easier for the audience to follow and to stay engaged.
The Trinity involves three tools of screenwriting. Narrative economy is giving information that moves the plot forward without giving details that do not pertain to the story. Narrative excess is taking time to give details at important parts of the script to show what you want to say. Show, don't tell is the act of using visuals rather than telling what a person is feeling.
The Holy Trinity, while commonly thought to be the Father, Son and the Holy Spirit, in fact refers to Narrative Economy, Narrative Excess, and Show-Don't-Tell. Narrative Economy means don't give frivolous details. Remember what is important about the story you are trying to tell. Too many details are distracting rather than helpful. Without Narrative Economy, the story may never move forward (ex. La Belle Noiseuse). Narrative Excess is slowing it down to emphasis crucial points in the story. This is where we need detail to believe in the story and feel for the characters. Show-Don't-Tell is when you expose important information through actions or natural dialogue rather than just laying it all out there. This may be the reason Whalen hates voice overs but that has yet to be confirmed.
By the phrase "Trinity of screenwriting," Hoxter refers to the three must-have's in the process of screenwriting: narrative economy, narrative excess, and "Show, Don't Tell." On one hand, we have narrative economy, which is a reservation of explicit explanation in the storytelling and should occupy about 2/3 of the screenplay. On the other hand, a screenplay should know when to expand on detail in scenes that deserve some attention; such a narrative excess portion tends to fill no more than 1/3 of the story. The last element, "Show, Don't Tell," refers to the importance of including descriptiveness in the visual aspect of the film translated from the screenplay.
The Trinity refers to: narrative economy, narrative excess, and show, don't tell. Narrative economy means that screenwriters need to keep in mind that everything that is put in a film has to relate to the them of the story. Only put details that directly relate to your plot. Narrative excess, is when there is an important scene the writer should take their time with it and include important details; it should be something that you sink your teeth into. Show, don't tell means that the screenwriter should visually show the audience details rather than just stating them.
The Trinity of screenwriting refers to the three concepts of narrative economy, narrative excess, and show don't tell. Narrative economy means that whatever is in the story should have a purpose and you should only include necessary details. Narrative excess means that you should include the juicy details in important scenes in order to enhance the film. Show don't tell means you should show the audience your world visually and through character interactions rather than telling the audience about your world or character.
The Trinity of Screenwriting is composed of narrative economy, narrative, excess, and show-don't-tell. The first component being that everything should be related to the central theme. If it is not directly linked it will only distract the reader. Secondly, narrative excess is the idea that a writer should not be afraid to elaborate when it is necessary. Finally, when is dialogue is not needed it should not be used. Instead of wasting breath attempting to spell everything out to a viewer, simply show the viewer. The perfect balance of all three allows for a sort of cinematic transcendence.
The trinity as described by Hoxter encompasses three concepts: narrative economy, narrative excess, and show, don't tell. Narrative economy means that the writer has an understanding that the time they are using to tell their story is precious, only very important and pertinent information, nothing extraneous, should be included. Narrative excess, gives the writer licence to draw out certain moments for effect. Show don't tell encourages writers to utilize the visual and aural aspects of the film medium that don't involve dialogue to convey points, like showing a character carrying a bat and wearing a ball cap as opposed to saying " well, I'm off to baseball practice now".
The trinity of screenwriting represents three guidelines or principles of cinematic storytelling. These three concepts are narrative economy, narrative excess, and show, don't tell. Narrative economy means that the writer does their best to allow the story to unfold naturally without using unnecessary information that doesn't add to the understanding or enjoyment of the story. Essentially, narrative economy attempts to use the least amount of words/information possible in order to convey the perfect amount of the story for the viewer to understand and follow. Narrative excess is deciding the write sequences, moments and even whole screenplays in regards to what the viewers are expecting when they come to see your film. A good way to describe excess is being able to keep the audience engaged constantly with certain wonders that surprise them but also keep them comfortable within their expectations. Lastly, show, don't tell is exactly what is says. Without words, one should attempt to convey emotion or show what is inside a character's mind through visual cues. Film is a visual medium which means that it is the job of a screenplay to only tell the reader what they will be seeing on screen. This relates to narrative economy almost directly in that we don't want to put in too much information visually or verbally if it is not vital to the story or plot.
The "Trinity" of screenwriting stands for three main concepts that define a good screenplay: 1) narrative economy, 2) narrative excess, and 3) "show, don not tell" principle. Although they might seem a little confusing and contradicting at first, the concepts make perfect sense after careful analysis. Narrative economy emphases the importance of time. Therefore, any narrative should only have relevant events that add to the story and the overall development of the character. A good narrative should have all of its elects and plot lines serve a certain purpose which goes along with the idea of narrative economy. Narrative excess, on the other hand, talks about the ability to emphasize and prolong the most important moments and plot twists in order to strengthen their significance in the story. This technique allows the writer to build a stronger less monotone rhythm of its screenplay. Lastly, "show do not tell" is the idea that concentrates on the importance of the visual element of the film. Allowing the viewers to watch and come to their own conclusion, rather than being told about it, is an important element of any good screenplay.
The "Trinity" of screenwriting refers to the combination of narrative economy, narrative excess, and show, don't tell. In narrative economy, it means not going overboard or drowning in detail, and not saying everything you can. You need to write only what you need to tell a story. Narrative excess refers to when you need to reveal something about a character in order for the audience to fully understand the character for your purpose. Show don't tell means you need to externalize what you are trying to say. For example, if you want your character to go to the store, instead of having them say, "I'm going to the store," you would just show them going into the store.
“The Trinity” in screenwriting is composed of three elements. First, narrative economy, is included to ensure that the plot is pushed forward without including irrelevant details. Second, narrative excess, is insists that a writer must slow down and intricately detail the “juicy details” of the story. Lastly, show-don’t-tell essentially explains itself: show the audience how the characters are feeling, don’t explain it with with words.
The "trinity" in screenwriting is composed of three elements. Those elements are narrative economy, narrative excess, and show, don't tell. Narrative economy is the basics of the story. You want to make sure your story follows through without any excessive details that blur the plot. For this, you only want to write what is necessary. For narrative excess, however, helps develop characters and the plot by including rich details. These details help the audience feel connected to the characters. The last part of the "trinity" is show, don't tell. This refers to how a writer should show character's emotions through actions instead of words. It is much more powerful to show someone being sad through actions than them literally stating, "I am sad."
The trinity of screenwriting refers to three concepts of narrative economy, narrative excess, and show, don't tell. Narrative economy helps writers remember that it is unnecessary to use lengthy and drawn-out descriptions of scenes. It is important to be concise with your words so that those who read your screenplay don't get bogged down with information and can use their own imagination to picture what is happening in the scene. In contrast, narrative excess refers to focusing on crucial points during the screenplay. During these moments, it's okay to be descriptive and go into some more detail in order to engage the audience. Because these moments are crucial points, it's important that the audience and readers understand what is happening. Finally, show, don't tell, is the concept of expressing a character's emotions through their actions, facial expressions, and even they're speech. Instead of just saying that a character is upset, show it by having the character cuss or throw furniture around.
24 comments:
The trinity refers to narrative economy, narrative excess, and show,don't tell. Narrative economy is the concept of not bogging your reader down. One must consider what is really the essential parts of the screenplay. Narrative excess on the other hand is elaborating and taking your time on the important facts. Show, don't tell is the idea that one doesn't have to flat out say everything, but rather use visuals to do the talking for you.
Hoxter's trinity refers to three key aspects of screenwriting. They include narrative economy, the idea that the writer should include only important, relevant details and nothing superfluous; narrative excess, concept that when there is a particularly important scene, the writer should take his time with it and include more details; and show, don't tell, which refers to the idea of using visuals to show the reader or viewer instead of explicitly stating the details.
The trinity of screenwriting refers to narrative economy, narrative excess, and show, don't tell. Narrative economy is just what it sounds like, being economical with a narrative and not providing too much excess or fluff. Narrative excess is the other side of things, ensuring that things are detailed enough to effectively drive the plot and explain important details. Finally, show, don't tell is where things do not need to be explicitly stated. Implicit dialogues, or even visual cues can indicate things instead of spelling them out.
The trinity of screenwriting involves three components: narrative economy, narrative excess and show. Narrative economy means that screenwriters should only include essential details that directly relate to the plot and not provide additional detail that distracts viewers away from the plot. On the other hand, narrative access means that screenwriters should take the time to describe and set an important scene. Show (don't tell) means that screenwriters should visually show the audience details relating to the plot rather than stating them.
As the name suggests, "The Trinity" refers to three things that are imperative when writing efficient, engaging scripts.
Narrative Economy is the idea that you only need to write things that move the story along; don't overwhelm your audience with unnecessary information.
Narrative Excess should be used sparingly (as not to contradict the narrative economy), and in scenes that are crucial to the plot; the idea is to keep the story moving, but also know when to let an important moment play out and not run through it.
And finally, Show, Don't Tell coincides with Narrative Economy in that it reminds you to use the medium to its full potential. Films can show an audience things that could take paragraphs to explain, so instead of having characters announce their emotions or motivations, have them show us.
The Trinity is made up of three stylistic tools that should be used to convey a story regardless of any other stylistic decisions that will be made. Narrative economy is the removal of superfluous and excessive details. Narrative excess, the increased attention to detail on a small number of key points in the story. Show, don't tell, the use of visuals rather than dialogue or narration to depict events. The three combined are designed to focus attention on important material and keep the audience interested in the rather than overwhelmed by a verbal play by play only fit for a sportscaster.
The three factors that make up "The Trinity" are narrative economy, narrative excess, and show don't tell. Narrative economy means only including on the necessary details that will help move the story forward. Narrative excess means to take the time with the important juicy details of the story. Lastly, show, don't tell means to use visuals rather than stating the emotions that one is feeling. By keeping these three things in mind while writing scripts, it makes it easier for the audience to follow and to stay engaged.
The Trinity involves three tools of screenwriting. Narrative economy is giving information that moves the plot forward without giving details that do not pertain to the story. Narrative excess is taking time to give details at important parts of the script to show what you want to say. Show, don't tell is the act of using visuals rather than telling what a person is feeling.
The Holy Trinity, while commonly thought to be the Father, Son and the Holy Spirit, in fact refers to Narrative Economy, Narrative Excess, and Show-Don't-Tell. Narrative Economy means don't give frivolous details. Remember what is important about the story you are trying to tell. Too many details are distracting rather than helpful. Without Narrative Economy, the story may never move forward (ex. La Belle Noiseuse). Narrative Excess is slowing it down to emphasis crucial points in the story. This is where we need detail to believe in the story and feel for the characters. Show-Don't-Tell is when you expose important information through actions or natural dialogue rather than just laying it all out there. This may be the reason Whalen hates voice overs but that has yet to be confirmed.
By the phrase "Trinity of screenwriting," Hoxter refers to the three must-have's in the process of screenwriting: narrative economy, narrative excess, and "Show, Don't Tell." On one hand, we have narrative economy, which is a reservation of explicit explanation in the storytelling and should occupy about 2/3 of the screenplay. On the other hand, a screenplay should know when to expand on detail in scenes that deserve some attention; such a narrative excess portion tends to fill no more than 1/3 of the story. The last element, "Show, Don't Tell," refers to the importance of including descriptiveness in the visual aspect of the film translated from the screenplay.
The Trinity refers to: narrative economy, narrative excess, and show, don't tell. Narrative economy means that screenwriters need to keep in mind that everything that is put in a film has to relate to the them of the story. Only put details that directly relate to your plot. Narrative excess, is when there is an important scene the writer should take their time with it and include important details; it should be something that you sink your teeth into. Show, don't tell means that the screenwriter should visually show the audience details rather than just stating them.
The Trinity of screenwriting refers to the three concepts of narrative economy, narrative excess, and show don't tell. Narrative economy means that whatever is in the story should have a purpose and you should only include necessary details. Narrative excess means that you should include the juicy details in important scenes in order to enhance the film. Show don't tell means you should show the audience your world visually and through character interactions rather than telling the audience about your world or character.
The Trinity of Screenwriting is composed of narrative economy, narrative, excess, and show-don't-tell. The first component being that everything should be related to the central theme. If it is not directly linked it will only distract the reader. Secondly, narrative excess is the idea that a writer should not be afraid to elaborate when it is necessary. Finally, when is dialogue is not needed it should not be used. Instead of wasting breath attempting to spell everything out to a viewer, simply show the viewer. The perfect balance of all three allows for a sort of cinematic transcendence.
The trinity as described by Hoxter encompasses three concepts: narrative economy, narrative excess, and show, don't tell. Narrative economy means that the writer has an understanding that the time they are using to tell their story is precious, only very important and pertinent information, nothing extraneous, should be included. Narrative excess, gives the writer licence to draw out certain moments for effect. Show don't tell encourages writers to utilize the visual and aural aspects of the film medium that don't involve dialogue to convey points, like showing a character carrying a bat and wearing a ball cap as opposed to saying " well, I'm off to baseball practice now".
The trinity of screenwriting represents three guidelines or principles of cinematic storytelling. These three concepts are narrative economy, narrative excess, and show, don't tell. Narrative economy means that the writer does their best to allow the story to unfold naturally without using unnecessary information that doesn't add to the understanding or enjoyment of the story. Essentially, narrative economy attempts to use the least amount of words/information possible in order to convey the perfect amount of the story for the viewer to understand and follow. Narrative excess is deciding the write sequences, moments and even whole screenplays in regards to what the viewers are expecting when they come to see your film. A good way to describe excess is being able to keep the audience engaged constantly with certain wonders that surprise them but also keep them comfortable within their expectations. Lastly, show, don't tell is exactly what is says. Without words, one should attempt to convey emotion or show what is inside a character's mind through visual cues. Film is a visual medium which means that it is the job of a screenplay to only tell the reader what they will be seeing on screen. This relates to narrative economy almost directly in that we don't want to put in too much information visually or verbally if it is not vital to the story or plot.
The "Trinity" of screenwriting stands for three main concepts that define a good screenplay: 1) narrative economy, 2) narrative excess, and 3) "show, don not tell" principle. Although they might seem a little confusing and contradicting at first, the concepts make perfect sense after careful analysis. Narrative economy emphases the importance of time. Therefore, any narrative should only have relevant events that add to the story and the overall development of the character. A good narrative should have all of its elects and plot lines serve a certain purpose which goes along with the idea of narrative economy. Narrative excess, on the other hand, talks about the ability to emphasize and prolong the most important moments and plot twists in order to strengthen their significance in the story. This technique allows the writer to build a stronger less monotone rhythm of its screenplay. Lastly, "show do not tell" is the idea that concentrates on the importance of the visual element of the film. Allowing the viewers to watch and come to their own conclusion, rather than being told about it, is an important element of any good screenplay.
The "Trinity" of screenwriting refers to the combination of narrative economy, narrative excess, and show, don't tell. In narrative economy, it means not going overboard or drowning in detail, and not saying everything you can. You need to write only what you need to tell a story. Narrative excess refers to when you need to reveal something about a character in order for the audience to fully understand the character for your purpose. Show don't tell means you need to externalize what you are trying to say. For example, if you want your character to go to the store, instead of having them say, "I'm going to the store," you would just show them going into the store.
“The Trinity” in screenwriting is composed of three elements. First, narrative economy, is included to ensure that the plot is pushed forward without including irrelevant details. Second, narrative excess, is insists that a writer must slow down and intricately detail the “juicy details” of the story. Lastly, show-don’t-tell essentially explains itself: show the audience how the characters are feeling, don’t explain it with with words.
The "trinity" in screenwriting is composed of three elements. Those elements are narrative economy, narrative excess, and show, don't tell. Narrative economy is the basics of the story. You want to make sure your story follows through without any excessive details that blur the plot. For this, you only want to write what is necessary. For narrative excess, however, helps develop characters and the plot by including rich details. These details help the audience feel connected to the characters. The last part of the "trinity" is show, don't tell. This refers to how a writer should show character's emotions through actions instead of words. It is much more powerful to show someone being sad through actions than them literally stating, "I am sad."
The trinity of screenwriting refers to three concepts of narrative economy, narrative excess, and show, don't tell. Narrative economy helps writers remember that it is unnecessary to use lengthy and drawn-out descriptions of scenes. It is important to be concise with your words so that those who read your screenplay don't get bogged down with information and can use their own imagination to picture what is happening in the scene. In contrast, narrative excess refers to focusing on crucial points during the screenplay. During these moments, it's okay to be descriptive and go into some more detail in order to engage the audience. Because these moments are crucial points, it's important that the audience and readers understand what is happening. Finally, show, don't tell, is the concept of expressing a character's emotions through their actions, facial expressions, and even they're speech. Instead of just saying that a character is upset, show it by having the character cuss or throw furniture around.
Post a Comment